Louis Léopold Boilly

Adam Albrecht Aivazovsky Ivan Konstantinovich Aken Joseph van Aladar Padly Allom Thomas Backer, Attributed to Jacob de Backhuysen Ludolph Balen I Hendrick van Barker of Bath Thomas Bassano Workshop of Jacopo Bassano II Francesco Baumgartner-Stoiloff Adolf (Constantin) Beer I. de Begeyn Abraham Jansz. Benois Albert Nikolayevich Benois Nikolai Leontjewitsch Berchem Nicholaes Berckheyde Gerrit Adriaensz. Blaas Julius von Bloemaert Abraham Blommaert Abraham Bogaert Hendrick Bogoliubov Alexei Petrovich Boilly Louis Léopold Boissieu Jean-Jacques de Boitmanis Ulrihs Bordone Paris Borisov Alexander Alekseevich Bossche Balthasar van den Bossoli Carlo Boudewijns Adraen Frans Bough Samuel Bray Jan de Brewer Henry Charles Bristow Edmund Broeck Elias van den Brueghel II Jan Bryullov Karl Pavlovich Burhardt Feodor Karlovich Carlone Giovanni Andrea Casanova Francesco Giuseppe Casteels Pauwels Castro Lorenzo A. 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John Feldmann Valentin Augustowitsch Ferg Franz de Paula Filippov Konstantin Nikolaevich Fischer Johann Georg Paul Florentine School Franken Paul von French School Frost George Albert Gabashvili Gigo Gabbiani Antonio Domenico Gedlek Ludwig Gerlach Otto Goeree Jan Gorbatov Konstantin Ivanovich Gordon Sir Thomas Edward Gorschelt Fedor Federovich Goyen Jan van Gradovsky N. Grigoriev Boris Dmitrievich Grimaldi, il Bolognese Giovanni Francesco Grimmer Abel Groningen Jan Swart van Guardi Giacomo Guardi Gianantonio Hackaert Jan Hackert Jacob Philipp Harding James Duffield Harlamoff Alexei Alekseevich Havell William Heeremans Thomas Herring Jnr John Frederick Hilair Jean-Baptiste Hoet Gerard Ibbetson Julius Caesar Issupoff Alexei Vladimirovich Ivanov Ivan Andreevich Jankowsky Johann Wilhelm Kalf Willem Kapustin Grigorij Ivanovich Karazin Nikolai Nikolaevich Karlsonn Konstantin Kennington Eric Keuninck the Elder Kerstiaen de Key Adriaen Thomasz. Key Attributed to Adriaen Thomasz. Klodt von Jurgensburg Baron Mikhail Konstantinovich Koerner Ernest Karl Eugen Kolchin Petr Petrovich Kolesnikov Stepan Feodorovich Kollmann Karl Ivanovich Kondratenko Gavril Pavlovich Koninck Daniël de Kotov Nikolai Grigorievich Krachkovsky Josef Evstafievich Kravchenko Aleksey Ilyich Lagorio Lev Felixovich Lallemand Attributed to Jean-Baptiste Lancerey Yevgeny Alexandrovich Landseer Charles Langer Olaf Viggo Peter Lattry Mikhail Pelopidovich Le Prince Jean-Baptiste Lee Frederick Richard Lingelbach Johannes Loo Carle van Loutherbourg, R.A. 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Joseph Mallord William Tweenhuysen II Helmich von Uden Lucas van Valckenborch Lucas van Valentin Emile Vanvitelli Circle of Gaspar van Wittel, called Varley John Vasilev Ivan Vasnetsov Apollinary Mikhailovich Velde Adriaen van de Velde Esaias van de Velde the Younger Willem van de Venetian School Verburgh Dionijs Vereschagin Petr Petrovich Verschuring Hendrik Verschuur Wouter Vickers Alfred Gomersal Victors Jan Vignali Jacopo Villiers de l'Isle Adam Emile Samoilovich Visotsky Konstantin Semeonovich Vladimirov Ivan Alekseevich Vlieger Simon Jacobsz de Voloshin Maksimilian Aleksandrovich Vorobiev Sokrat Maksimovich Vrancx Sebastian Ward James Watteau, called Watteau of Lille Louis-Joseph Webb James Weiss Joseph Andreas Wet I Jacob Willemsz. de Wheatley, R.A. Francis Wijnants Jan Wilson Alexander Wingfield James Digman Withoos Matthias Wouwerman Philips Wtewael Joachim Anthonisz. Wyck Thomas Yakovlev Aleksandr Evgen'evich Zeeman Reinier Nooms, called Zhukovsky Rudolf Kazimirovich Zommer Richard Karlovich Zucchi Attributed to Antonio

oilly Louis Léopold

(Lille 1761 - Paris 1845)

Biography

The Suitor’s Gift

Biography

Boilly was born in Douai in northern France but moved to Arras at the age of seventeen to receive instruction in trompe l’oeil painting from Dominique Doncre (1743-1820). Seven years later Boilly moved to Paris where he exhibited in the Salon between 1791 and 1824 - receiving a gold medal in 1804. As discussed above, his early works tended towards a preference for amorous and moralising subjects. The Suitor’s Gift is comparable to much of his work in the 1790s, which ‘dealt with the love and family life of the urban middle and upper classes’.² His small-scale paintings with carefully mannered colouring and precise detailing - as demonstrated in his execution of the trinket box in the present painting - recalled the work of Dutch seventeenth-century genre painters such as Gabriel Metsu (1629-1667), Willem van Mieris and Gerard ter Borch (1617-1681), of whose work Boilly owned an important collection.

In 1794, Boilly was condemned by the Comité du Salut Public, at the height of the Terror, for the erotic undertones in his work Lovers and the Escaped Bird (The Louvre, Paris) and for painting subjects ‘d’une obscénité révoltante pour les moeurs républicaines’. This offence was remedied by an eleventh-hour discovery in his home of the more patriotic Triumph of Marat (Musée des Beaux Arts, Lille) which saved him from serious penalties. After the righteousness of the Terror, Boilly produced far less of these mildly erotic scenes and began to produce far more crowded compositions that which serve as social chronicals, an example being the Hermitage’s Game of Billiards (1807, The Hermitage, St. Petersburg; Yusupov Palace Museum, Leningrad. 1925). As Hallam notes ‘Boilly’s attitude toward genre painting has obviously changed, and the primacy of sensibilité has been conditioned, and at times replaced, by a journalistic desire to record and document everyday life’.³ As well as genre scenes, Boilly was well respected for his portraiture, producing many portraits of the middle classes and other famous contemporaries (for example, Robespierre now in the Musée des Beaux Arts, Lille) and recording fashionable Parisian life through the Revolution, the Directory, the Empire, and on into the Restoration period.

Louis Léopold Boilly (1761 - 1845)